“Elizabeth Catlett: ‘A Black Revolutionary Artist and All That It Implies,’” a remarkably bracing new exhibit stuffed with politics and activism and fascism and standing up for everyday laborers and ...

An installation view of “Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection.” Courtesy of the Art Institute of Chicago Welcome to One Fine Show, where Observer highlights a recently ...

WILLIAMSTOWN — Men and women, dressed in muted tones, are running, crawling uphill, clasping children to their breasts as they try to escape the pursuing floodwaters. Others raise their hands to the ...

We read with interest Hannah Edgar’s feature “How light a touch is too light?” (Aug. 3) about the handling of Gustave Caillebotte’s sexuality by the Art Institute and the renaming of the exhibition ...