Elina Garanca plays Dalila in Samson et Dalila. Bring on the dancing. The Metropolitan Opera has a hot new production of Camille Saint-Saens' Samson et Dalila (Samson and Delilah) complete with ...
This Sept. 11, 2018 photo released by The Metropolitan Opera shows mezzo-soprano Elina Garanca as Dalila in a scene from Saint-Saens' "Samson et Dalila" at the Metropolitan Opera in New York. A new ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. When mezzo-soprano Elina Garanca and tenor Roberto Alagna joined forces for a new ...
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. This might not be the first ...
When mezzo-soprano Elina Garanca and tenor Roberto Alagna joined forces for a new production of Carmen at the Met, the results were electrifying. Now this star duo reunites for another sensual French ...
Grange Park Opera does have a continuing and, in the main, a highly successful tradition of bringing the French opera repertoire to life. It has gone with radical updatings before – from 2008, a ...
This undated image released by the Metropolitan Opera shows Darko Tresnjak, a Tony Award winner for “A Gentlemen’s Guide to Love and Murder,” who will make his Metropolitan Opera debut Monday in ...
You are able to gift 5 more articles this month. Anyone can access the link you share with no account required. Learn more. FRYEBURG — The Emmy and Peabody Award-winning Met Opera “Live in HD” series ...
For an opera about an action hero, Camille Saint-Saens’s “Samson et Dalila” is remarkably action-free: Even the climactic moment when Delilah shears the hero’s hair takes place offstage. It’s open to ...
TimesMachine is an exclusive benefit for home delivery and digital subscribers. About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online ...
For Elina Garanca, there's a clue nestled in the score of Camille Saint-Saens' opera "Samson et Dalila" that suggests the pagan beauty has genuine feelings for the hero she has vowed to destroy. "It's ...
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